With a little of your love,
I can retract
and backtrack
to here
and I'll try.
It's not forgiving,
it's now
I'm here
show me how
and I'll try
to give you a little of my love.
With a little of your love,
I can retract
and backtrack
to here
and I'll try.
It's not forgiving,
it's now
I'm here
show me how
and I'll try
to give you a little of my love.
Ever feel like you can't breathe
then you wash over me
I need an escape
you're the light
don't stop, not tonight
and I'm never going to leave your side.
This country is amazing.
Seeing landscapes with a fresh blanket of snow while the Northern Lights danced for 6 nights in a row definitely helped Iceland earn some extra bonus points.
Someday I hope to return...
75 second single exposure. f/10. ISO 200.
Lit with moonlight and a Streamlight Stinger flashlight.
Since I was a teenager, I have wanted a Cadillac from one of the three years between 1959 - 1961. They are rare and typically when I see one, I get butterflies, but seeing this one rusting in this junkyard made me sad. I knew the only thing I could do would be to take photographs, so I did.
Do you see her beauty
Slithering beneath a rock
Soaring over tree tops
Floating through the seas.
Tread ever so lightly
Or this will all be just a memory.
Jökulsárlón, Iceland, 2017
We spent our last night in the RV near Gullfoss. The winds that night reached about 40mph. We didn't shoot long because our fingertips and noses froze quickly, but we continued to shoot, while watching the aurora dance above us. This location was a bit of a challenge to photograph, but it was worth braving the temps.
This September 2015 evening started out cloudy, so much so we couldn't even see hints of the moon. Just as the eclipse began, the sky cleared and I captured this image of the moon above a Southern California junkyard.
I haven't photographed a car junkyard since 2015. They really are fantastic places to be in the middle of the night, beneath a full moon.
I definitely would love to be back shooting in one sometime in 2017. (I guess that's my first new year's resolution.)
Inside a 1959 Cadillac Coupe DeVille, my dream car, at a junkyard in Southern California.
(Stats: 60 seconds. f/9. ISO 200)
In a past life, she got someone where they needed to go.
She played tunes on her radio, that someone sang along to.
She drank more gasoline than the owner expected.
She broke someone's heart when she was sold.
She lives on in the memories.
(Night. 120 seconds. Full moon covered in clouds. Lit with Streamlight Stinger flashlight.)
This former California resort closed in 2009 and has remained abandoned ever since.
(Night. Full moon. 15 seconds. f/8. ISO 250. Lit with (2) Lume Cubes)
Rex explores the barren landscape of the Trona Pinnacles.
Joshua Tree National Park happens to be one of my favorite places to visit in California. Not only is the landscape beautiful and strange, but there are fantastic 4x4 roads to explore and also some of the best climbing.
Last month, I hit the park with a few good friends and we did a bit of night shooting, during the full moon.
People often ask me which flashlights I like and which ones I use and the truth is, it varies. Some of my lights are upwards of $100. Others are under $20. You absolutely do not need a $100 light to successfully light paint an image, but there are definitely reasons I love the more expensive lights I have. To light this image, I used a $17 work light by Viisliam - http://amzn.to/1QYG1sc
An aircraft lurks in an Arizona boneyard after a storm.
It's not often that I photograph landscapes at night without the moon. This trip to Joshua Tree, last fall, was a treat because I had the chance to experiment with star trails and think differently about my compositions.
Tomorrow night, I'm heading back to Joshua Tree National Park with a few friends for a weekend of shooting (yes, it's a full moon weekend), exploring and hanging out. It's been a while since I have had a road trip adventure, so I am very much looking forward to this trip.